In this article, it paid attention to how the consciousness of anti-war in Korean and Chinese war films of the 21st century are combined with the historical reevaluation of the war each country. For this purpose, the study was conducted on Korea 's R-Point (2004) and China' s The Flowers of War (2011). The 21st century is re-illuminating the Vietnam War and the Nanjing Massacre, which Korea and China have concealed or ignored in public discourse at the national level. In the process of recreating the war, the two works are common in that they deal with young women as victims' representations. It is shown that the veterans who are observed by the ghosts of the female ghosts have been frightened unlike the ones that have been circulated by the national discourse in R-Point. In particular, the suffering of Vietnamese soldiers who have suffered from sexually transmitted diseases in Viet Nam confronts the Vietnamese girls who are symbolized as historical victims. This shows the anti-consciousness of the Koreans who have been suppressed by the national discourse. On the other hand, The flowers of War recalls the war of the past, which has been a harsh and humiliating war in Chinese modern history. The woman, who was the victim of the war, is called a hero and inspires anti-Japanese and consciousness of anti-war in the current situation. It conceals the national experience that has been helpless by recalling the history of disgraceful defeat and it has a national ideological character of anti-war consciousness that appropriates the tragedy of the battlefield to nationalism.